J’s Take on In Lane Three, Alex Archer by Tessa Duder

In Lane Three, Alex Archer Cover

Published in 1987, this novel recounts the fictional story of one young New Zealand swimmer as she tries to win a spot on the 1960 Olympic team.

I’m going to save the spoilers for the end, so you can stop reading when you get to them if you don’t want to be spoiled.

When I first picked up the book, I was expecting a quick, easy read. But then it turned out to be one of those publications from the 1980s where the print is tiny and cramped and so the book wasn’t as short as I thought. I went ‘ugh’ and put it aside for later. Once I finally did pick it up again and start reading, it was easier than expected. Overall, I’d say I liked the book. It was an interesting read.

I wouldn’t classify myself as someone who likes sports books and reading about jocks, which is what this book is, so I’d say I liked it despite of that rather than because of it. The main character is likeable, even if I want to just shake her plenty of times. We hear about her rivalry with a swimmer who usually beats her, her family which sacrifices for her, her friends and her school life.

What probably interested me the most was the gender stuff. And the book opens right away with that, with Alex reacting an article written in a women’s section of a paper. How despite training hard, she and her rival also have “feminine” interests and things like that.

It was a little odd to be reading a book that was ~25 years old written about a time nearly 30 years before that. In a way, it felt very much like an 80s book, even though it was written about the late 50s. There were times where I felt it was being a little too obvious about “the 50s were a different time, especially for girls”, and a little preachy about drinking and driving. One character asks rhetorically and hyperbolically whether he should’ve taken his drunk friend’s keys away from him. The 80’s audience is meant to think “Yes, yes, you should’ve!!”

At some point, I started questioning the author’s research. I was stopped by wondering how a girl swims with her period, and had to do some Googling. I had a vague notion that pads were way different and weird in the 50s. Turns out it’s not an easy thing to Google, probably because Wikipedia is written mostly by men. But I did discover that tampons have been around longer than I thought. Not that I’d want to be a 14 year old in the 50s wearing them in a swimming pool. Especially since one of the pools is described as a warm soup of chlorinated salt water. YUCK!

It’s not until nearly the end of the book that it was confirmed for me that tampons were involved.

Yes, dear readers, it’s a book about periods! Well, not really, but it didn’t shy away from it. Even though it was coy about the tampons until the end.

So when Julie Andrews’ voice is mentioned, I had to stop and Google that too. This is before Sound of Music, so how did kids in New Zealand not only know about her, but hear her voice? Well, she was on Broadway in the mid-50s and made a TV appearance just about the time this book takes place. So I gave the author a pass, on the theory that theatre geeks would have records of her Broadway singing. Maybe.

Oh yes, I neglected to mention that Alex is a theatre geek. And a hockey player. And a piano player. And good in school. And into ballet. And I feel like I’m forgetting at least one other activity. She’s doing so many things at once that thinking about it, I just want to lie right down on the floor and take a nap. Most kids would consider being in a theatre production and one other activity plenty. Or, you know, maybe training for the Olympics is enough! She even practices piano for an hour a day. At least we finally learn she’s not so good at school as we were led to believe. At least judging by the grades she got.

A lot of the book is about how she’s doing too many things at once, but she keeps doing them! And nobody forces her to stop. Not her parents, not her coach, not anyone at school.

In the end, I had to trust the author got things right. Or at least more right than I could’ve. Her bio says she was a swimmer in the 50s in New Zealand. So, yea, I don’t have a leg to stand on with my Googling.

Alex’s relationship with her boyfriend is what bothered me the most. She’s 14 and he’s 17. Which, all right. Though her parents and his seem completely fine with this! Her father even arranges a beach trip for her and her boyfriend and gives them alone time to do like, whatever. :} When they do make out, the first time, and subsequent times, her reaction to it is completely unbelievable to me.

Alex is tall and plays the men’s roles in plays in the all-girl school she attends. And there have been comments hinting she might be a lesbian. So she’s a little insecure about her femininity, though mostly she doesn’t let it bother her.

So here’s her first time making out with her older boyfriend.

“I’m also regarded by some as a second best specimen of femininity around the place — except that Andy not only kissed me so many times I lost count on that day of the bridge walk, but also, later in the car, very gently traced the outline of my breast with his fingers, deliciously reassuring me of my femininity…”

The thoughts of a 14 year old? I didn’t buy it.

Throughout the book, she kept seeming to me to be about 16. It was really hard to remember she was 14 and barely 15 by the end of the book.

I’m a big believer that kids are smarter and know and see more things than authors usually give them credit for. But that doesn’t mean they’re emotionally mature.

Okay, I’m going to venture into spoiler territory now. So be warned!

*** Spoilers ***

Remember the drunk driver I mentioned before? Well, Alex and her boyfriend do get out of the car. And then it gets into a wreck, justifying their actions. But the driver and his girlfriend, despite her being thrown completely out of the car, only have minor injuries. If you’re going to try to teach us not to drink and drive, especially without seatbelts, maybe you should give them believable injuries, huh?

But this was just foreshadowing.

About halfway through the book, I had a sneaking suspicion something was going to happen to her boyfriend. And lo and behold I was right. Don’t drink and drive, kids, but that doesn’t matter, because a drunk driver will kill you anyway. The only surprise was that this death meant her ailing grandmother who was “fading away” didn’t have to die.

Sigh. I haven’t read as many Newbery books as K has, but I’ve still read enough books like this to be fed up with the trope. The only thing that would’ve made it more trope-y was if her boyfriend was gay.

And then she’s all.. I have to go to the Olympics for him. And having some weird telepathic conversation with his ghost while she’s racing. Like, not just talking to him in her head, but he’s actually feeding her information she shouldn’t be able to know. Um, all right.

So I liked the book, but liked it much less by the end of it.

I’ll end this review not with a bang, but with a siiiiiiiiigh.

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J’s Take on Dragon Keeper by Carole Wilkinson

Dragon Keeper Cover
At first this seemed like a typical dragon book. A orphan who’s about 10 is caring for some captive dragons. One talks to her telepathically. She escapes with him and this dragon stone. Yawn, ho-hum. It’s even set in ancient China, which is about what you’d expect once you rule out a straight fantasy world setting.

Fortunately it got more interesting than that. The dragon is more like an eccentric grandfather than say an intellectual military dragon like Temeraire or a more beast-like military dragon a la Pern or a fighting pit dragon in Jane Yolen’s awesome series. Wait, I’m sensing a fighting trend here. Well, what I mean to say is the dragon is different from some of the more popular dragons out there today (and yesterday). He can even appear to change form, which you don’t see very often.

Ping, the orphan, is okay as a character. She’s a girl, so that’s nice. She’s not dumb, but.. she’s really dumb about this one thing, and that’s the dragon stone. You all know what it is, right? As should anyone who’s ever encountered a dragon in a book before. And since there are dragons in several Harry Potter books, well, then who hasn’t? Yet she’s smart enough to figure out how to barter, though she’s never had money before or been to a market before.

There are some twists and turns and I can’t say I really knew where the story was going at any given moment. So all in all it was a fun read.

At the end is a glossary and a pronunciation guide. Glossaries I don’t mind missing, because I’d rather figure words out from context while reading. However, I would’ve liked the pronunciation guide at the front of the book. I was saying some of the names wrong in my head, and now they’ll always be wrong, because I won’t retain what I learned by reading the guide afterward. I got no practice at think-saying them right.

This book was also a nice change to the previous books, because while it was written by an Australian author, it wasn’t set in Australia. I suppose reading 12 books set in Australia or New Zealand shouldn’t really seem boring. Logically it shouldn’t. I read books set in America all the time. It wouldn’t be too surprising if I had a streak of books set in the UK going on. A lot of Triple Take books are set there. I’d read several manga set in Japan back-to-back without batting an eye. And it’s not like Triple Take books are all I read, so it wouldn’t be 12 books in a row, but.. still it does seem like it’d be monotonous. Too much novelty because I haven’t read many books set in Australia or New Zealand like.. at all, ever?

So, yea, ancient China, I can dig it. It’s a fantasy China, of course, what with the dragons and all.

Likeable characters, unpredictable story, fairly entertaining read, and as a bonus.. dragons!

Oh, and there’s also a rat. If you like that sort of thing. Rats, I mean.

Even though I probably won’t be putting it in my top ten list for books read in 2012, I’d still recommend this book without hesitation.

Ah… but this makes me sad. It would’ve been so good as a stand-alone novel. But we can’t have that these days, can we? Sadly, it’s a series. I see four books listed on her website. I’m not sure if I want to read them or not. The book was nice as it was. Then again, it could be interesting to watch Ping grow up.

Maybe I’ll see if my fellow Triple Takers are interested in reading them or not before I decide.

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Nebula Project: Forever War, part 2

In this part, we’ll look at a revised version published more recently, as well as the short story/novella “A Separate War” which tells the last portion of the book from the perspective of a different character.

What follows is a spoiler laden discussion of the book Forever War by Joe Haldeman. Beware if you’re worried about such things.

This is part two of our discussion on the Nebula Award winner Forever War, by Joe Haldeman. In the first part, we took a look at the version of the book which was published in the 70s and went on to win the Nebula Award. In this part, we’ll look at a revised version published more recently, as well as the short story/novella “A Separate War” which tells the last portion of the book from the perspective of a different character.

K: So let’s go back to Forever War. As we mentioned in our first discussion, there are several versions of this book around, and initially we sought out the version which had actually been presented to the Nebula voters. More recent editions have included a significantly different ‘middle’ section, which was apparently the original (or a revision of the original) intention, but were altered before it was first published as a novel.

K: The ‘middle’ section in question is the portion of the novel taking place just after the first battle with the Taurans, up to and including the time when our main character, William Mandella, returns to Earth after being released from the military.

J: At first I noticed just little changes. Like suddenly he wasn’t getting ‘soya’ from the machine, but ‘coffee’. And I also thought his birthdate had changed, but no, it was always March 1975. Which was not the year I was born, like I said in our last discussion. I think I must’ve done the math from another date in the book and come up with 1974. But once they get to the orientation before going back to Earth, and then Earth, it’s all a lot different.

K: Yes, it is. Since it’s a bit confusing which was ‘original’, I’m going to refer to the first version we read as the Nebula version and the other one as the modern version. The Nebula version was more vague, definitely. William and Marygay arrive back on Earth, William meets his mom and his brother, he and Marygay go on a vacation, and then — spoilers — William’s mom randomly dies because she was not considered important enough to be guaranteed healthcare past the age of 70. Somehow all of this is so awful they leave the planet in disgust and re-enlist. Compared to the modern version, which I’ll let you describe, I have to say I liked this dystopic Earth better. It was more reasonable. The lack of detail and the seeming smallness of the changes made it far more believable to me. If I squint hard enough I could maybe see how we could end up like that. The modern version, on the other hand, had too many details; too many huge changes. It was over the top and didn’t work for me. But it was certainly worse which made their decision to quit Earth a lot less confusing.

J: I agree on the details front. I don’t know if I’d say it was too many, but it was definitely better thought-out. There is, for instance, a thriving black market, which you in particular bemoaned the lack of in the Nebula version. So in this modern version, they go back to Earth and it really sucks. Everyone goes outside armed or with a bodyguard. Money is in kilocalories, which are kinda sorta confusingly tied with food rationing. Marygay’s parents fled prison to work on a farm commune. His mother has a subcontracted black market job. He visits her, then he and Marygay go on a tour of the world, starting with London, via dirigible. They have a violent encounter when he breaks up a gangrape and they cut the trip short. He goes home, his Mom is apparently a lesbian now. Which freaks him out enough to go live with Marygay’s family on the commune. Which goes well for a few days, until they’re killed in a big gunfight or something. Then back to his Mom dying because she’s sick and old and so they re-enlist.

K: So which version did you like better? Since you say it’s ‘better thought-out’, I’m going to guess the modern? As I said, for me, it was just too much. There were lots of details, but since we didn’t really get to see much more than this bullet list of facts (oh hai we changed all world currency to one currency and named it kilocalories because that wasn’t at all confusing and I don’t quite understand it myself but yeah.) I think I needed either more background on the Earth changes, or less revolution to try and get my head around. And– yes, I was very pleased to see some sort of black market. But it still didn’t go far enough. It seems strictly confined to jobs? I was pretty confused about that. There was no medical black market mentioned, was there? We did see a grey-ish market for food.

J: There was blackmarket antibiotics mentioned. But that was actually in both versions, now that I look. I think I prefer the Nebula version, for two reasons. One, I think the modern version felt grafted in. We were rather abruptly jolted back to the part that was identical in the Nebula version. That he has a brother shows up out of nowhere. His mother was mentioned as being 60 (Rhonda said so) and then is 84 the next time he’s home. And they did not go farm for 20 years. And currency is suddenly in dollars again. And my second reason is the modern version has more drugs, more violence, more sex, and more rape! It was just too much. I can see how an editor told him it was all a downer. It definitely was that. Oh, and I guess I had a third reason. All 3 parents dying in the short span of time the two of them are home? When they managed to survive quite fine for 20+ years before that? Fft.

K: The timeline issues were something I caught, too. Perhaps you knew I would, because those are one of my pet peeves. (Not to venture off too far, but later in the book someone mentions the last time he was on earth was ‘2007’ and he agrees! Except it totally was not 2007. I could almost buy it as him just brushing off an error in his records if Marygay hadn’t said exactly the same thing in the short story that was written from her perspective.) But I think you’ve put your finger on something else that was bugging me, even though I couldn’t quite figure it out — the parents all dying in such short succession was silly. Especially since we spent so much relative time building up to and foreshadowing the death of the Potters, Ma Mandella’s death was way too abrupt.

J: The short story is “A Separate War”. I caught it too! It’s like he looked back at the novel, saw the date on the section, and.. forgot he should’ve been looking at the second date. I didn’t catch it in the book itself. Oh, and where did Rhonda go?! Her roommate and sometime lover is dying, and then is dead, and she’s not in that chapter at all. She disappeared, the brother showed up. Very bad graft, I have to say.

K: Yes, it could have used some better editing. Rhonda is mentioned as being visiting her kids, but surely someone ought to have called her! Instead all they call is his brother, which is exactly the same as the Nebula version, except that in the modern version his brother has not been mentioned at all prior to his abrupt appearance on the phone.

J: Actually, I think the reference is that Rhonda is the disease vector, having picked up the bug from a previous visit to her kids and passed it to Mandella’s mom. *checks* Yea, no mention of where she actually is now. And yes, exactly. So all in all, I have to say I’m glad we read the Nebula version. This one would’ve confused me too much! And also annoyed the heck out of me with all the violence and random deaths. Oh, yea, one thing I noted down. Well, two things. This guy comes to brief them all on the changes before they go to Earth. He’s wearing makeup and fancy nails and everything, and he uses weird pronouns instead of ‘he’. I say weird, because they’re not third gender or gender neutral pronouns I’m used to — tha, ther, thim. Haldeman uses it exactly once. It never appears again. In fact there’s a glaring case in the phone call to the hospital where it would’ve been appropriate, but instead it’s ‘he’. And it’s a ‘he’ that stands out to modern readers because it should’ve been ‘they’ or ‘he or she’. “[…] how important a person is and what level of treatment he’s allowed”. And the other thing is the makeup. I didn’t see one other reference to anyone wearing makeup. It was supposed to be in fashion, so.. where did it go?

K: Very good points, all, and I have no answers for you. So not only was the flow interrupted by the herky jerky plot, there were a whole bunch of points raised and then randomly discarded (apparently) with no further exploration. I confess I’m pretty baffled as to why this section was (re)inserted with no better effort made to better integrate it and also make sure it was at least internally consistent to itself, let alone the rest of the story.

J: Beta readers! Beta readers! If we caught these things, a couple beta readers would’ve! I understand maybe the author and his editor(s) were too close to the story to look at it with fresh eyes (maybe?). But still.. So I had another question. Which is just to wonder how a third of the population is now gay after only 20-25 years. Because I believe this is before they had the technology to switch people’s orientations around. Just.. one generation? Most of the population that was straight when he left should’ve been just older and straight when he came back. Which means the younger people are like 3/4ths gay or something so the average of the entire population evens out to 1/3rd? (The book erases bisexuality by never mentioning it.) So did his Mom discover she was a lesbian? Take it up because that’s just what you do now? I just.. I don’t know.

K: Well… both this book and “A Separate War” treat women (assuming we can have Marygay and apparently Ma Mandella stand in for all women) as more open to experimentation and/or more fluid in who they’re sexually attracted to. This may be a stereotype, it may be a result of socialization, or it may be something inherent, but I’m sort of inclined to give the idea a pass. I do wonder at the idea that everyone becoming homosexual would solve the population problem, because clearly that is ridiculous, as we mentioned before. I guess I kind of feel like — if you were going to go all George Lucas on the book and restore your ‘original vision’, it might have been wise to also clean it up a bit. But maybe that would have been too hard, since the homosexual thing was such a big thread through the second half of the book.

J: He could’ve at least made part of it in 3D.

K: Hahahaha.

K: This new section did mention slightly more about the ‘Elite Conscription Act’ which is the draft law which basically requires all smart people to enter the service. I still don’t quite understand the logic of the law, especially since I felt like the modern version was hinting that it was a deliberate conspiracy to remove all these clever people from the world. To what end? To hold back the human race?

J: Yea, I don’t get it. First of all, all the smart people aren’t going to be physically and psychologically fit for the job of soldier. Was the military using them for desk jobs, R&D, stuff like that? And with the technological advances to fight the war, some of that is going to bleed into advances at home. Like how NASA has helped everyone in all sorts of ways, not the least of which is a pen that writes upside down. And if you can breed for gay-ness, you can breed for smartness. They should have all the brains they want.

K: I certainly don’t think Forever War is alone in that it starts to look like a flimsy premise if you pick at it enough. Lord knows almost every book has that sort of flaw(s). But I do think the modern version almost… highlights them, by drawing our attention too sharply by half to the mess on Earth.

J: I agree. It drew attention away from the main point of the story, which is that things changed while the war was going on. Say that, show that, and get out. Before you start listing all these details that don’t hold up to scrutiny.

K: Exactly. I did, however, find it interesting that the revolution on Earth appears to have been fomented by a feeling of severe economic inequality. (In this case shown by people appearing well-fed versus not.) Look out, one-percenters!

J: Heh. I read it as look out, fat people. But fair enough!

K: Yeah, it could definitely be read that way too.

J: So the short story takes place after this section, and after they’ve had limbs severed and regrown, etc. It’s from Marygay’s POV and she tells what happened to her while her and Mandella were separated. And, to me, if I were reading that by itself, I’d be like.. why does she love this guy, because he doesn’t even get a line, I don’t think. He’s very much at a distance and just a prop. But probably the reader is supposed to have read FW and already know him as a character. Anyway, she gets into one of those acceleration shell things again, and I find it odd that there was no mention at all of her previous experience in one. You ask me she should’ve had some PTSD or at least been a little squeamish about getting into this thing that very nearly killed her once.

K: I was about to say he’s not even in the story as a character, but it does briefly cover their R&R time on Heaven so that’s not true. So yeah — this story is definitely not meant to stand on its own in the least, but it does make an interesting counterpoint.

K: I’d assume she had some kind of therapy, though we’re never told about it. But maybe she doesn’t have PTSD because you can’t remember really being in the shell? At least, she can’t remember being injured in it beyond having been told that it happened?

J: I dunno.. she was conscious while they were working on her. Kept asking for water. But even if it didn’t bother her, I think it still deserved a mention. If for no other reason than why it didn’t bother her. The other thing about the short story was, it named the uh.. prototype for Man, all those cloned gestalt whatever. Was he named before? Because the name really struck me this time! Khan! Or rather, Khaaaaaaan!

K: Yeah, he was named before. Because he specifically mentions he had a relative in Mandella’s strike force and I had to go back and look at the list and make sure he really was there. (He was.)

J: Well, I have to say after reading this revised, or unrevised, section that I feel less good about this book as a whole. And not looking forward to reading any more Forever X by Haldeman. But the short story made me feel a little better about it. So I’ll probably be ready for Forever Peace when we get to it.

K: It clearly demonstrates how valuable a practiced editorial eye can be to a story! The Nebula version is much more coherent in spite of the possible weaknesses of the toned-down Earth section.

J: So, yay, done with this book finally! Next up is Man Plus by Frederik Pohl, I believe. A book which I know nothing about.

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Nebula Project: Forever War

It’s the dawn of a new century and the human race has begun exploring space in earnest after the discovery of ‘collapsars’ which permit instantaneous travel between two distant points in space. Unfortunately, humanity has also discovered it’s not alone in the universe and is now embroiled in a war with a race they call the Taurans.

What follows is a spoiler laden discussion of the book Forever War by Joe Haldeman. Beware if you’re worried about such things.

It’s the dawn of a new century and the human race has begun exploring space in earnest after the discovery of ‘collapsars’ which permit instantaneous travel between two distant points in space. Unfortunately, humanity has also discovered it’s not alone in the universe and is now embroiled in a war with a race they call the Taurans. William Mandella has been drafted to serve in this war, and as a result of travel at relativistic speeds, his service will span hundreds of years. Or maybe forever.

For the purposes of this discussion, we acquired Forever War as published in book form in 1974, the version which won the Nebula. More recent publications of the novel have been updated by the author to include a different version of the middle episode of the book, which had originally been rewritten at the time of initial publication. Though this new version is better reflective of the author’s original vision, it isn’t actually the version that won. We’ll be discussing our thoughts on the changes in a followup.

J: So we’re up to 1975 and Joe Haldeman’s Forever War. I didn’t know much about it going into it, except that there were some sequels and the series still seems moderately successful. And it was, presumably, a military sf novel. And I actually like quite a bit of military sf, so if I had any feelings about the book going into it, they were probably.. optimistic of an enjoyable experience.

K: That’s a fair description of my feelings going into it as well, though I perhaps knew even less than you did — even though our spreadsheet indicates the sequels, somehow I didn’t even notice it. In any case, I had no reason to be pre-disposed in either direction except that I generally do enjoy military sf as long as the military so described is interesting.

J: What I like about military sf tends to be the military school or the training, the tension in relationships between ranks, the moral and ethical questions of when to disobey orders, and then cool sneaky tricks, like Kirk or Hornblower as just two examples. So when I started this book, it started out interesting for me, because it started out in training. And there were female soldiers!

K: Yes. I was pleased to see them, especially in a book written in the early or mid-70s. I can’t say my like of military sf is quite as quantifiable as yours (and Hornblower isn’t really sf at all — Napoleanic military fiction is pretty large enough to be a genre all on its own), I do like all of those things. And I like ships, water ships or air ships or space ships, it’s all good. But I also like the technology and all of the interesting bits that need to be taken into account to survive and handle restricted environments. And there was a good amount of that here, well-thought out.

J: Oh, no, I wasn’t saying Hornblower was sf. He’s just.. the archetype. In some ways I feel like I want to discuss this book chronologically, as my feelings changed as I read it. But maybe we should mention before we get too far that we read the “original” published version. The version that actually won the Nebula. This book’s publication history is complicated.

K: Right. Now, the book begins right around the turn of the century/millenium. A war is on with an alien race, the only alien race the humans have yet encountered. And for some reason that’s not really adequately explained, the military has specifically drafted a bunch of over-educated college kids to be footsoldiers.

J: The main character was actually born the same year as me. That’s a little trippy. So yea, they’ve recruited these smart college kids, I think the IQ limit was over 140 or something like that? Basically MENSA material college kids, and they’re training them to fight an enemy they know nothing about. Like, hey, we’ve trained you how to kill humans a billion different ways, but none of them may actually work against the aliens. Even the whole idea of having foot soldiers in a fight against aliens is kind of crazy. I’d spend my money on building better ships, but whatever.

K: That did puzzle me quite a bit, actually. The book was very progressive in many ways — spaceflight, the issues with that, the various changes in society and so forth. And yet the -war- was waged — for a thousand years no less — in an manner almost identical to Vietnam. Which was just bizarre, especially since they did not seem to need any of these planets and planetoids they were claiming? It wasn’t clear to me why drones and airstrikes were not being used. Except, of course, it wouldn’t have been the same book.

J: And I couldn’t understand why they thought it was worth the cost of heavy casualties. Heavy casualties /in training/. What a waste of money and resources to have all these people die before ever doing anything useful in the war.

K: Yeah. It all did seem dreadfully inefficient. To send out such a small number of people that even minimal casualties (which were expected!) would totally undermine their ability to actually accomplish the goals of the mission? It’s possible the ludicrous (ludocrisy?) was intentional, since he was probably trying to draw parallels with Vietnam. To the point where most of the training officers are gung-ho Vietnam vets.

J: I wouldn’t have thought Vietnam at all, except that he did mention it in his intro, which I read afterwards. You know I did wonder why he thought there hadn’t been any wars after Vietnam until the 90s! Um.. apparently anywhere on the planet. This isn’t an American-only strike force, is it? Certainly he made some attempt with the names to be multi-cultural.

K: No, it’s not an American only strike-force. The history is a bit sketchy to me, but this is what I worked out. Some assumptions may be incorrect. History is normal up until the ‘present day’ ie, when the book was written. After that though, the space program appears to remain better funded than it did. No fuel crisis? In 1985, collapsars, jump points, wormholes, whatever, are discovered, which presumably injects more excitement and urgency and funding into the space program. At some point, Earth’s space programs are taken over or overseen by the United Nations, who creates UNIT UNEF. By 1997, they’ve had very brief alien contact and declared war on the other species. The “Exploratory Force” is converted to a military one and people start getting drafted. That’s the beginning of the story.

K: Histories of the future are always a bit dubious, though this one seems especially so given the rabid xenophobia that dominates the U.S. political landscape today. I can’t imagine the reaction to the United Nations trying to take over anything.

J: The United Nations turning into a world government of some sort is fairly common in sf, at least historically. So that part makes me just roll my eyes and say ‘Whatever’ and move on. Rather like all the pot-smoking in this book. Whatever. And, at some point, I start having to say ‘Whatever’ to all the rampant orgies in 60s and 70s sf. Like, really, this is the future of the human race? Drugs and orgies?

K: But doesn’t that sound like fun? Doesn’t it?! The drugs thing is still a very common trope today. And not entirely far-fetched, I must say. But even as a social super liberal, I cannot see the orgy thing taking hold, at least not in the near term future.

J: Let me mention the line that really ticked me off, just to get it over with. I was reading the book at lunch and just had to stop. And wish I’d brought a second book to lunch with me. Here’s the quote:

The orgy that night was amusing, but it was like trying to sleep in the middle of a raucous beach party. The only area big enough to sleep all of us was the dining hall; they draped a few bedsheets here and there for privacy, then unleashed Stargate’s eighteen sex-starved men on our women, compliant and promiscuous by military custom (and law), but desiring nothing so much as sleep on solid ground.

J: There’s just so many things wrong with that. I just got so mad, because up until that point he’d been treating the male and female soldiers pretty much equally. They had this sex rotation where they’d sleep around, which I didn’t object to too much. Only to wonder why they were all apparently straight and none of them had the desire to be celibate. No partners back home? No religious feeling? No.. just.. low sex drive? Out of, what was it, 100 people? But then this line hit and it was like he’d undone everything he’d set up before it in turns of gender equality.

K: When you mentioned there was a line that made you want to smack him, and I came to that line, I knew it was the one you meant. Because it jarred me in the exact same fashion. He included women. They appeared to be equal to men. There was no griping about women being weak or not allowed in combat or any other nonsense of that nature. And then, suddenly — what?! It made me question everything. Did they include women in these roles out of a realization that women were equal and should be treated as such? Or did they just find a convenient way to include sex workers and oh hey, we can also get extra work out of them! Except it was even worse than the latter, because apparently the women are not only sex workers, they apparently have no legal right to say no, even if they don’t want to. I’m surprised no one in the present day has hit upon this way to solve the issue of military rape. Just declare it legal! Problem solved!

J: I don’t like to say anything about the book while we’re both reading it, but I just had to at least say something! And jeez, don’t let the GOP get hold of this book. ‘Hey, we have this great proposition for you. I know you’re studying to be a nuclear physicist, or whatever, but we’re going to make you join the military. You might die in training, you’ll almost certainly die before your term is up, and oh yea, you have to have sex whenever the male soldiers want. And they’re randy devils who’ll want it ALL THE TIME. Because that’s how college-age guys are. But it’s okay, because they’ve all had vasectomies. Sounds good, right? Now go shoot some aliens!’

K: It did make me wonder, considering it’s also established at the same time that the government has technology that allows them to modify your behavior and the way you think. Did they modify the women to make them okay with this? And if so, why not just modify all the soldiers and make them asexual for the duration? It seems like that would have been better for ‘unit cohesion’ if you get down to it.

J: Yea, you don’t want your soldiers wasting time and energy on something essentially useless, do you? Especially as they’re apparently very closely monitoring their caloric intake and exercise. Less energy spent on sex = less food you need to ship up into space with them. Actually I think they did say they gave the officers, who were required to be celibate, hypnosis or whatever to make that easier. So might as well do that for everyone.

K: Except the officers were boffing people too, so I’m not sure why that particular hypnosis didn’t work even though everything else did.

K: Anyway. Aside from that jarring bit, which lent absolutely nothing to the plot and could easily have been removed without anyone noticing, the book resumed course and we started to get into the ‘forever’ part of the Forever War.

J: Yup. Basically they go fight, then they come back to a base of one sort of another, years have passed, the world has changed. I think the time jumps get greater as we go along, but that’s because the main character is going on further-out missions. And with this time effect, when they encounter the aliens they’re fighting, the aliens might’ve had decades to advance in tech, while they didn’t. And then vice versa. So it’s usually a rout in one direction or the other. Which seems a really bad way to fight a war, but y’know, space, what can you do.

K: It does seem like an increasingly silly situation, especially from the perspective of the soldiers, which I’m sure again is some sort of Vietnam parallel exaggerated hugely – the completely out of touch commanders, planning things far away in space AND time. And, it seems, with the people at home completely removed from the war aside from occasionally being drafted. Because it has no bearing on them one way or another; they don’t seem to be in danger of being invaded, ever. It’s an abstract concept to them, especially given what must be years and months between every individual engagement.

J: Which leads me to a question I had at the end, which was how did they know it was the last ship that needed to come back? Given that earlier it said a bunch were ‘missing’ and possibly taking essentially the long road home. Because these guys aren’t operating with an ansible. Which Le Guin had already invented, so they could’ve been!

K: All right, we can skip to the end, though I thought we were going to go through this chronologically! Anyhow, I was a bit mystified by this declaration as well. It didn’t seem like there was any reason to know for sure that they were ‘last’, unless everyone else had been confirmed dead or returned (and we’re not given that information.) Also, it’s mentioned when they come in that there are lots of ships all around this base. Then it seems like the base is mostly abandoned and will be destroyed when they leave — it was just being maintained until they got back. So what are all those other ships? I was confused.

J: Yea, that confused me too! And if you knew they were last, and you knew their route, why not go and meet them? And presumably be able to fly them back faster or at least more comfortably, with your advanced technology. But yea, we should probably go back, to the first time the main character comes ‘home’ and sees what the future has wrought.

K: Right. But this first visit is after only a few years — 25 or 26 — so he’s still at a period of time when he’d be alive, and his relatives are alive, though greatly aged. We get a little bit of information about recent events and the current political situation on the planet. It’s sort of a dystopian situation, except that we experience it so very briefly that it’s hard to have much of a reaction to it beyond ‘ugh’.

J: Except my reaction wasn’t even ‘ugh’. Most people are unemployed, but the government makes sure they have enough to live on. And they’re free to pursue whatever interests them. I could see how it could lead to depression. If you’re not doing meaningful work, then it’s not good for your well-being or the society’s well-being. But it depends on what they’re allowed to do. It seems like no matter how well-run your economy is, you can always use more art of all kinds. Or people out there tinkering with this and that, inventing things. So I failed to see what was so horrible about not having a job. And of 1/3 of your neighbors being gay.

K: Yeah. That part seemed more or less okay, though it’s unclear how it’s being paid for — and then we basically find out that it’s being paid for by sharply rationing healthcare to the point where many people are not allowed to have any. They’re provided food and shelter, but not much more. This whole section seemed very abbreviated to me, like things were being thrown at us and we were clearly supposed to find them bad, but I’m not sure there was enough information to make that determination in all cases.

K: Even the healthcare thing was weird, because you know as soon as the government limits something like that, a black market appears to fill the vacancy. So where were the back alley doctors? We don’t get a sense of any of that. Everyone’s completely isolated from one another, apparently.

J: I thought everyone got healthcare until they turned 70 and then some people didn’t merit it. It seemed a little extreme in that they didn’t give them any care, when it wouldn’t really cost much to give out a few pills for an acute ailment. And you’re absolutely right. Where are all the unemployed people with enough education to be doctors? Certainly the two main characters at this point don’t seem to give the place much of a chance before they run back to the military and sign up again.

K: Yeah. I’m sure there was some underground rebels or… something. But they spend a week there, throw up their hands and leave again in disgust. Was it really worse than almost certain death in the military?

J: The wild amount of money they’d earned from their decades of service amused me. By how pitiful it actually looked. :)

K: Yeah, it was pretty sad, though after a few hundred years it was a lot better.

K: Which brings me to another bit, as we’re sort of up to the interlude where they ended up on ‘Heaven’, a hospital and recreation planet. Which is, these humans never did invent the ansible, so they have no instantaneous communication. In fact, communication between Earth and distant humans seems practically nil. So what is keeping them in line? Heaven seems like a pretty nice place, so what has prevented them from just declaring independence and going on their merry way as an entity separate from Earth’s political system?

J: Oh, didn’t they say the entire economy was based on rich soldiers spending all their wealth? That didn’t seem like it’d work, somehow. Maybe communications is part of it. Are they really going to get all that money from Earth when they turn in their bills, or whatever? And just how long will it take?

K: It does seem like there’d need to be incredible redundency in bank and personnel and health care records to sustain a multiplanetary nation without the ability to communicate at a reasonable rate of speed.

J: I don’t really remember much about what Heaven was like, except they toured around and climbed mountains or something. And I also forget what came right after that.

K: At the end of it, William and Marygay were assigned to different companies and sent off to different missions. He headed back somewhere. Stargate? and got reoriented in time, because by the time he got there it was about 100+ years later. Then he got his assignment out to the back of beyond.

J: Ah okay. That’s when he got all the brain training in how to fight with all sorts of random weapons and learned tactics and strategy. And then they give him a squad or whatever it was of his own. Full of fresh-faced young kids about 5 years younger than him.

K: Right. And all homosexual.

J: Which was neat, in a way. When gay people started showing up, it sort of went some way to making amends for that egregious line from early on. (Not that including gay people makes it okay to be horrible to the entire female population of your book, but that you could maybe feel he was trying to show a contrast in gender and sexual relations across time periods and had maybe exaggerated the first bit for effect.) The main char’s troops call him Old Queer and see him that way, and that was an interesting take on it. But by the time I finished the book and could look at the role of homosexuality in the book as a whole.. it didn’t work well. It only shows up and is only encouraged to keep down the population. Which is a really stupid reason.

K: Exactly. I do think, for the time, it was probably a pretty progressive book. There were women, the women were fellow soldiers, not nurses. They were competent. There were gay people — in the military! — and homosexuality was shown as an accepted norm. On the other hand, the idea of turning people homosexual for population control is a bit strange. Just because you’re homosexual doesn’t mean you lose your desire to reproduce. Just the ability to do so naturally while still having sex with your preferred gender. Again, here’s a situation where asexuality would work far better if you’re looking to divert people from any sort of sexual reproduction.

J: There was even a female doctor. But yea, asexuality comes to mind. Or any number of methods of birth control. Free vasectomies for all! Or just start breeding for infertility. And this is a major spoiler, oh no, but the only gay character we care anything about at the end of the book… is turned straight. So he can marry and presumably have babies and live happily ever after.

K: Heh. Yeah. I wasn’t too sure about the tone exactly — I mean, why not just be a gay guy on this new planet? What was the harm in that? I do think human sexuality is more of a spectrum than a binary, but exploring that idea was definitely not part of this book’s goal, nor was it really presented that way.

J: I would be interested to know if and how it’s explored more in the sequels. But interested enough to actually read them, I don’t know.

K: I’m not sure either. So what was your opinion of the book overall, now that you’ve actually read it?

J: Well, I dunno. I definitely saw it as a forerunner of some of the ideas in Ender’s Game and the Shadow books. And parts of it reminded me of Old Man’s War. So it was interesting. I just don’t think I really liked it as a cohesive whole of a book.

K: Ha. You should definitely read the intro Scalzi wrote then, before we return the books. And yes, I can see how other books picked up on the ideas here — Ender definitely seems almost like this book from a different perspective, though they clearly have instantaneous communication as well. I ended up enjoying it a lot more than I expected after that gang-bang scene, and had that not been included, I would feel pretty good about the book as a whole. But it makes me very uncomfortable to approve of it.

J: Ender’s Game has an ansible. OSC was stealing more than we realized when we first read it. :) Also the part where some of the militarily-trained people come back to Earth and try to start a revolution. Because they are heroes, and they are trained. (Which I find a little confusing because I thought it was like a 99.somethingcrazy% death rate.) But yes, I certainly can’t heartily endorse the book by any means. There’s also another line that really ticked me off. The main char encounters someone he can’t tell the gender of. He mentally flips a coin and ‘comes up tails’ and decides she’s a woman. I don’t know if that was an intentional play on words, but I was not inclined to be generous with him at that point.

J: Though if that had appeared in any other book, I would’ve brushed it off and forgotten it. It was only because he’d done such a good job mostly of including women equally.

K: I don’t really remember that scene, so I guess it didn’t have much of an impact on me.

J: One other thing, because I think we’re about done and I wanted to mention it. The first encounter with the aliens, there are these animals that like.. brain-kill everyone with a high ESP rating. And then.. the ESP thing is never, ever mentioned again.

K: Yes! I had totally forgotten about it, but yes. It was really a strange encounter. You’d think over the 1000 years, they’d attempt to develop this ESP more, especially once they start straight out breeding people rather than relying on random chance for reproduction.

J: I suppose that clone being thing, they’re all connected telepathically, or.. by something. It’s not clear. I don’t know if the ESP was dropped because this novel started life as a series of stories or just because sometimes you throw in some psi powers just because.. they’re pretty ubiquitous in sf at this point in time.

K: Should we mention the ending? I will say that it was painfully obvious to me that the war was going to turn out the way it did, but I was still sad to be proven correct. Was the ending considered shocking back in the day?

J: No idea. I was actually thinking at one point that maybe it would turn out they were fighting some form of humanity from the future. Alas, not that interesting. Though after I thought it, I would’ve been disappointed to have been proven correct.

K: Any last thoughts? There appears to have been an absolutely enormous nominated field for the Nebula in 1975. Have you read any of the others? Did it deserve to win?

J: Dhalgren and The Female Man get mentioned a lot in feminist circles, but I don’t believe I’ve read either. I have not read Heritage of Hastur, I don’t think, though I do mean to read more MZB. I may have read The Mote in God’s Eye in high school. All of the others, I haven’t heard of. So why Forever War? I was wondering if it wasn’t a reaction to the relative passivity and pacificity of The Dispossed. They needed a good war story with lots of gory dead bodies. Or it could just be that a lot of the votes got split, I dunno.

K: I’m not sure. Probably at the time, the war motif, especially the parallels to Vietnam, were far more at the forefront of everyone’s mind. I can’t say that I’ve read any of the other nominees, though I have heard of several. Based on the influence it obviously had on later books, I’m not going to say its win was undeserved. And it was a very readable book.

J: And Niven and Delany at least had already won before. I’m sure some voters considered that as a factor. Ha. It just occurred to me we do have to read at least one sequel, because Forever Peace occurs later on the list.

K: From what I can tell, Forever Peace is not a sequel. It didn’t look like it even takes place in the same universe.

J: Er… okay. *puzzled*

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J’s Take on The Tomorrow Code by Brian Falkner

The Tomorrow Code Cover
I’m going to venture into spoilers for The Tomorrow Code, but I’ll try to do this chronologically, so the big spoilers won’t come until near the middle or end of this review. I’ll warn you when we get there.

The story is essentially about three kids in New Zealand. Tane, his best friend since forever, Rebecca, and his older brother, called Fatboy. Tane and Rebecca are chatting about time travel and hit on the idea that all you really need is a receiver and you could get any messages that people from the future were sending back. So as you may guess, it doesn’t take them long to find these messages. Takes them a little longer to decode them.

At this point in the story, it’s okay. I like time travel stories and who doesn’t like a book with some good codes and cryptic messages in them? The style of the writing was what I’d characterize as very YA-y. By that I mean it tries to be a little clever, while treating the reader as a bit of an idiot. It’s hard to pick out a specific example, but this sort of captures it:


That may not have sounded like much, but it wasn’t very often that Rebecca thought that Tane had an interesting idea, so it was kind of an important day, if only for that reason.

Although, in hindsight, it was actually an important day for much bigger reasons than that.

I like my foreshadowing to be more subtle than that, but actually this quote illustrates another thing that started to bug me pretty quickly. Tane is a spineless, weak-willed jellyfish. (Which is ironic, considering what they end up fighting later.) ((See what I did there?)) Rebecca is super-smart when it comes to science and technical things. Supposedly. So when they start talking about time travel, she says things he doesn’t understand. He pretends he does. Not to boost his own ego or save face, but just so he doesn’t disrupt her flow of conversation and thought processes.

Apparently Rebecca is also a bit of an activist and goes on protest marches a lot. Tane goes with her. Not because he cares two whits about the protest. He doesn’t even take the time to learn what they’re protesting about. Just because she wants him to go. Look, there’s being supportive of a friend and doing things because they like to do them, and then there’s… being a spineless jellyfish. It’s not that he’s a martyr, because he doesn’t mope about saying how he doesn’t want to be there. He pretends he does. So that’s two cases of him lying to her and deceiving her just to… be friends with her? How has this friendship lasted since birth?

When his older brother asks her out and the two start dating, you can only cheer for them. It’s not like she should be going out with Tane! How much worse would he get about this all if he were actually her boyfriend? Ugh.

I thought, maybe, maybe, the author is just being a bit heavyhanded and this is a lesson Tane is supposed to learn by the end of the book. He’s supposed to grow and change and turn into his own person and not be pushed around by Rebecca (who doesn’t even realize she’s pushing him around, since he goes along with it so easily). This does not happen. Tane does get less annoying, but mostly because the story stops focusing so much on their relationship, not because he’s actually grown into a less annoying person.

So I’m digging on the codes for a little while. Rebecca whips up this program to analyze signals and whatnot. It’s reminding me a bit of that series of choose your own adventure type books that were all about programming in BASIC. It had the programs and you had to put them into your computer, and usually debug them or alter them in some way to fit the story. You were a secret agent who was also a kid and a computer whiz. Anyway, they were awesome. So a book that reminds me of those in some small way gets a little boost to my opinion of it.

That didn’t last long. Most of the codes are cryptic in a way the reader couldn’t ever figure out. Heck, most of them are cryptic in a way the characters couldn’t figure out. Which is just bad cryptozizing skills! These messages are meant for Tane and Rebecca, so they ought to be written so they can figure them out. Of course it doesn’t help that they are idiots.

What do you think this means?

202.27.216.195,GUEST,COMPTON1.

Yea, she’s writing a program in one chapter and completely stumped by this a little later. It’s Tane who eventually (eventually) figures it out, by harkening back to something they learned in school. LEARNED IN SCHOOL!!

This book was written in 2008, btw.

And that’s the most legible of messages, to the reader. The rest you can only figure out as the story progresses. Because they’re crap. If you’re going to shorten the word ‘bitmap’, why would you not use BMP? Why would you use BTMP? The theory in this book is that the messages have to be written to save as much bandwidth as possible. (They don’t call it bandwidth, but yea, essentially.) Why add a letter there? And not add a letter where it would make more sense to? On top of that, yea, there’s an actual bitmap sent through. If you’ve got the space to be sending an image, you’ve got the space to write a few complete words. Kthnx.

So now that the book has annoyed me on several fronts, and I was seriously thinking Forever War a more interesting read (until that ticked me off so so hard, but more on that in a later Nebula Project discussion), the book takes a 90-degree turn.

‘Book 2’ of the book, which is to say the next section of the book, shifted in tone. Suddenly things weren’t about time travel and codes and Tane being jealous of Fatboy without ever telling anyone, but about this bioterror threat and almost-dead 4-year olds. It got pretty serious and rather dark awfully fast.

There’s more action in the back half of the book. Boring action. I was skimming it, because I hate action scenes without any character or emotion really pushing it and backing it. It also wasn’t written very well, but that was par for the book. Not that it was bad writing. It was competent writing. It just didn’t read easily to me. It didn’t flow.

The action also stops centering around the three kids. There are suddenly a lot of scenes with adults as POV characters. Adults who weren’t even in the first part. Until the end we’re jumping between all sorts of different people, fighting battles, and just.. blah. I was glad when I finally finished it.

Not that the end didn’t suck.

Okay, now I need to talk about the spoilery bit. It’s two paragraphs in white font below. Highlight it to read it, if you don’t mind me ruining the Big Surprise. Otherwise skip down to the second set of –‘s.

So there’s this Chimaera Project, which is playing with viruses and trying to cure the common cold, essentially. But things go wrong. Very very wrong. It’s not a mutant virus getting out and killing everyone though, oh no. It’s the planet taking the opportunity to create ginormous antibodies and macrophages to seek out humans and destroy them. Oh, and they look like jellyfish and snowman. Because, of course they would. This is the perfect opportunity for a Maori lesson on treating the Earth respectfully and whatnot. And the soldiers get all upset at being told this, because they’re offended at being considered germs. Oookay.

Yea, no. Been there, read that. It wasn’t very well-executed in the book I read it in either. (I resist naming names, because it might be a spoiler for that book.) Plus however many movies and TV episodes involve being shrunk and injected into somebody’s body.

Now for some final, non-spoilery thoughts.

Tane was remarkably self-aware and sensitive to other people’s thoughts and emotions. Granted, mostly Rebecca’s. It struck me as ungenuine for a 14-year old boy. However, the author is male, so I’m not sure if I have a better grasp on what teen boys are capable of than he does. It’s like.. he knows he’s jealous and why. And even he even knows that his brother knows that he’s jealous. He knows all these things, he’s aware of all these things, and he still doesn’t say anything or act on them at all!! In contrast, Rebecca must be mostly oblivious, since she doesn’t seem to know (or perhaps to care?) that he’s not into protesting or that he doesn’t like her dating his brother.

In another situation, I might like Tane for that and think the book is a breath of fresh air. But Tane was that spineless jellyfish, so his insight just made that trait all the worse.

Some of the chapters have song snippets at the head of them, and near the end, the soldiers start singing a song. I felt like all the songs were ridiculous and out of place. Yellow submarine? Really? I feel like if you’re going to use quotes like this, they should be there for a good reason. Not because the song popped into your head while you were writing that chapter.

So, yea, redeeming qualities of the book are a smart girl character, the unusual (to me) setting of New Zealand, and the glimpses of Maori culture. If that’s a combination you’re looking for, go for it.

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